Keyword – Hungarian Television

Bánszki, Kristóf:

Pussycat, Betsy the Doll, Morzsa the Dog, and Socialism

This study focuses on the formative conditions of the first Hungarian television series “What’s the New in Ground Beetle Street?” (Mi újság a Futrinka utcában?). It discusses the potential reasons for its success, and attempts to answer the questions of how the series formed the state-socialist social imagination of both children and adults and what educative impact it may have had. It suggests that the creators, while lacking any preliminary professional examples, consciously used the possibilities that the genre series offers.

Keywords: genre, Hungarian Television, remedialisation, sociological imagination, success, television series

Kékesdi-Boldog, Dalma:

How Hungarian Television reported on the Chernobyl nuclear power plant disaster

Previous research on the Hungarian media representation of the Chernobyl nuclear accident looked into written and audio sources. Findings show that in the Soviet/communist media system, the daily newspapers have only communicated the danger indirectly, with only implicit hints. Despite a few hours of censorshipfree broadcasting on Hungarian Radio, the communication of the potential health effects of the disaster was neither accurate, nor satisfactory. Using the records of Hungarian Television, this paper attempts to explore the visual communication of the disaster and tries to reveal how state television applied visual communication tools. It asks the question of whether television viewers received more factual and detailed information about the accident than newspaper readers and radio listeners did.

Keywords: Chernobyl, Hungarian information policy, Hungarian Television, nuclear disaster, Soviet/communist media system, state socialism, visual communication